How to Tell if The Lion, the Witch and the Wardrobe is a Christian Film

Lewis always insisted that his seven Narnia books were not a point-by-point Christian allegory. Much of The Lion, the Witch owes more to English folktales or Norse and classical myth than to the New Testament. The passage of the four Pevensie children through the magic closet into a world laboring under a spell of eternal winter is not Christian, nor are the cruel white witch, talking animals, centaurs, and even a duo of Roman gods who inhabit it. True, the description of the redeeming figure of the lion Aslan as "the Son the Great Emperor-Beyond-the- Sea" is a big hint. But even Aslan's sacrifice on a huge stone table (not a cross; and performed with a stone knife, Aztec-style), and his subsequent miraculous recovery could have been borrowed from any number of world religions.

What the Lion's filmmakers do with the charming storytelling that surrounds them is—theologically—optional.